One of the first projects that the two summer interns were given was to make a summer accessory that the Milliner would have sold in her shop. I am pleased to report that The Margaret Hunter Millinery Shop now has a lovely summer cape floating around!
What I would have worn to the Revolution!
Well I can assure you that the only way to start your morning is to ride around Palace Green in a carriage.
This morning I participated in a Colonial Williamsburg photo shoot to update photos for the Horse and Livestock department. Not only was it an honour to participate in the shoot, but it was a complete pleasure.
As a hired seamstress (in the 18th century this means one who sews seams) at the Millinery shop I did not have access to the proper attire suitable for a carriage ride among the Gentry. I must give a huge thank you to Miss Sarah Woodyard, the current apprentice at the Margaret Hunter Millinery Shop. Like a true fairy godmother in my hour of need she kindly loaned me her incredibly beautiful blue gown. I must also thank Miss Angela of Burnley & Trowbridge for allowing me to wear her wonderful jewelry and bergère.
Later this afternoon a young boy came in the shop and asked for Lyze. Curiously he then handed me a note and directed my attention to the outside where James Monroe cut a very dashing figure atop his horse.
You could say today was slightly perfect.
Wake up! It’s time to go to Williamsburg!
I can’t believe that in the morning I will begin the journey to Colonial Williamsburg to start my internship program in the Margaret Hunter Millinery Shoppe. I can’t even begin to describe the elation and excitement that I am feeling.
Unfortunately my position as a summer intern means the posts on The Ornamented Being will not be as frequent as they have been during my break. I’m aiming for at least one good theme per week and of course I will be loading loads of photos from my internship! You can keep up with my dress making at The Mended Soul and it’s too early to say but I have a secret!
Thank you all for understanding and continuing to inspire me to keep The Ornamented Being alive, I love you all!
This is kind of amazing.
The costumes and characters are wonderfully done and the cinematography is stunning.
“This uniform consisting of uniform coat, waistcoat, and pair of knee breeches was initially donated to the Columbian Institute; in 1841, it was transferred to the National Institute and was housed in the Patent Office. It came to the Smithsonian in 1883 from the Patent Office collection, and has been on display almost continuously. During the years 1942 - 1944, during World War II, the Smithsonian packed up many of its treasured artifacts and sent them to the Shenandoah Valley for safekeeping.
This uniform was worn by George Washington from 1789 until his death in 1799; the small clothes or breeches and waistcoat, date from the revolutionary period.
In paintings of Washington during this period, he often posed for life portraits and was often depicted wearing this uniform. An example of this would be the watercolor portrait on irovy painted by artist John Ramage in 1789; it is the first known depiction of this uniform in a portrait of Washington.
In December 1798, Washington was recorded wearing this uniform when he visited Philadelphia on Provisional Army duty. He wore a similar uniform when he was commissioned by the Continental Congress as Commander-in-Chief of the Continental Army.
None of his uniforms from the Revolutionary War period are known to have survived.”
What I would have worn to the American Revolution.
Mrs. Schuyler Burning Her Wheat Fields On The Approach Of The British
c.1775–83 The Met says: This example of a uniform jacket worn by an officer during the American Revolution is completely hand-made. Owned by Col. William Taylor, it shows a significant amount of wear. Color, style and number of buttons are among the features used to identify one’s military unit, or regiment, in this case Connecticut Regiment 1776
C. 1776-83 The Met says: According to the donor, this ensemble was worn by Obedeak [sic] Herbert, a Continental Naval Admiral of the Revolutionary War. This form of jacket, the tail coat, persisted first, as men’s everyday wear and, later, as formal attire throughout the 19th and 20th centuries. The epaulettes retain sense of delicacy and refinement as handmade objects. The silk on the underside is padded and sewn into a roll at the edge to enhance the shape of the tassels as they fall over the shoulders. The tape on the other end is meant to tie into corresponding studs on the shoulders of the jacket. The phrase on the medallion of the bicorne, “E Pluribus Unum” (translated as “Out of Many, One”) was submitted by the committee Congress as part of a design for the seal for the United States of America in 1776, which, upon revisions, was passed as the official seal in 1782. The phrase was considered the motto of the United States until 1956 when it was replaced with the motto, “In God We Trust.”
Ask any American what first comes to their mind when thinking about the Declaration of Independence and they will give you one of three answers: the famous second sentence about life, liberty, and the pursuit of happiness, Thomas Jefferson, or John Hancock’s bold signature. Part of the myth of Hancock’s John Hancock was that he signed in such large letters so King George III could read it without his spectacles. Whether Hancock really said something like this or not, one thing is true—King George, or anyone for that matter, could read Hancock’s signature without glasses.