The Ornamented Being
Ornamented: -verb: Adorn; beautify. Be·ing: -noun: Fulfillment of possibilities; essential completeness.
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Henriette Favre
c. 1902
One of the most beautiful gowns in the Met’s collection. It’s like a cascade of jewels.
(Source: metmuseum.org)
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Dress (Robe de Style)
House of Lanvin (French, founded 1889)
Jeanne Lanvin (French, 1867–1946)
c.1922
Met
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c. 1878-82
The Met says: The bustle silhouette, although primarily associated with the second half of the 19th century, originated in earlier fashions as a simple bump at the back of the dress, such as with late 17th-early 18th century mantuas and late 18th- early 19th century Empire dresses. The full-blown bustle silhouette had its first Victorian appearance in the late 1860s, which started as fullness in skirts moving to the back of the dress. This fullness was drawn up in ties for walking that created a fashionable puff. This trendsetting puff expanded and was then built up with supports from a variety of different things such as horsehair, metal hoops and down. Styles of this period were often taken from historical inspiration and covered in various types of trim and lace. Accessories were petite and allowed for the focus on the large elaborate gowns. Around 1874, the style altered and the skirts began to hug the thighs in the front while the bustle at the back was reduced to a natural flow from the waist to the train. This period was marked by darker colors, asymmetrical drapery, oversize accessories and elongated forms created by full-length coats. Near the beginning of the 1880s the trends altered once again to include the bustle, this time it would reach its maximum potential with some skirts having the appearance of a full shelf at the back. The dense textiles preferred were covered in trimming, beadwork, puffs and bows to visually elevate them further. The feminine silhouette continued like this through 1889 before the skirts began to reduce and make way for the S-curve silhouette.
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c. 1915
Can you imagine seeing a woman suddenly appear in the doorway wearing this gown? Floating like a fae clothed in her gossamer dragonfly wing gown? Pearls and sequins like dew drops littering a flower petal bodice.
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V&A 1860. The last photo of Queen Victoria in a colour
Charles Clifford took the portrait in this photograph on 14 November 1861 at Windsor Castle. Queen Victoria (ruled 1837–1901) noted in her Journal that she had ‘dressed in evening dress, with diadem & jewels’ and was ‘photographed for the Queen of Spain by Mr Clifford. He brought me one of hers, taken by him’. The queen wears mourning for her mother, the Duchess of Kent, who had died on 16 March 1861. A copy in the Royal Photograph Collection shows her dress coloured purple. If accurate, this image might be one of the last of the queen wearing a colour, since her husband, the Prince Consort, died a month later.
(Source: http)
